It’s the day after you go to a concert. You’re reminiscing about the experience you had the other night, yet you have nothing but your memories and some tour merch to remember it by. You then decide to search for the artist across your social media sites and you find their verified accounts. Under the accounts you see photos posted last night from the show you were at. You go through those photos and it is like you are reliving the concert experience all over again. You now have something to remember your night by. This is the importance of concert photography.
Face it. At some point during a concert, you have taken out your phone, or camera to commemorate a moment that was important to you. Whether it was a slow song being played and everybody in the audience had their flashlights on on their phones so you had to snap a video or pic, or maybe the lead singer jumped into the crowd and crowd surfed and you HAD to get a pic of that. There are so many reasons as to why we choose to take out our phones, or cameras during a concert. But I think the primary reason why we do it is so that we have something tangible to remember our experience by the next day. However, imagine doing this for A LIVING.
Recently, it has become apparent to me that concert photography often is overlooked. Not only as a profession, but just in general. It seems like nobody wants to pay anybody for their photos, nobody wants to give photo credit to the one who takes the cool shot of them swinging their guitar around their body on stage, and many only see concert as a hobby. Although I am not a photographer in any way, shape, or form myself… I can say it is WAY more than a hobby. Just think about it. Again, it is the day after the show and you are reminiscing about the show you just went to last night right and what do you do? You find photos from that night to take you back into the experience. It is like you are there all over again.
However, concert photography is way more than just taking you back into the concert you saw the other night, or a concert you saw ten years ago. It is almost critical for any musician to have pictures taken of them at their shows. It is a form of promotion. Those pictures are what makes people WANT to attend a show because it “looked” fun, or epic. Concert photography is also an art form. A form self expression. But also something that triggers the feelings of others. It affects the lives of others.
To further demonstrate the importance of concert photography, I took the time to find eight concert photographers close to home to interview about what it is they do and how concert photography has affected their lives. I also asked each of them to send me a few of their favorite concert photos they have taken that have brought them back into certain moments:
1.) Michelle Nuccio
It looks to me like you have really invested in local music concert photography. What has that been like? Have you met any cool people? If so, who?
I began photographing local music at a weird point in my life, I was going through a lot of personal things at the time. I never really felt like I ever really fit in anywhere or with anybody until I started going to local shows. Once I was there it was nothing like I had ever experienced before. I was surrounded by like minded creative people who all shared a mutual respect and support for one another. It’s something really special that I never got anywhere else. I have met some of my closest friends that I would have otherwise never met. This August it will be four years since I met my current boyfriend, creative partner and current bandmate at a house show in Asbury.
It’s also presented me with a lot of amazing opportunities. I recently got to photograph one of my favorite bands of all time The Ergs who were opening for Descendants at Starland Ballroom. The following day after their Sayreville show The Ergs played a headlining reunion show is Asbury. I never thought I would get the opportunity to see or photograph The Ergs, let alone twice in one weekend. This past November I also had the opportunity to go on a week long tour with my friends in Hit Like A Girl. It was my first time on tour and I got to go to some really cool cities I have never been to before like Nashville, Richmond, and Cincinnati. I also discovered a love for Boone, North Carolina and Bloomington, Indiana.
I love how everything looks so bold in your photography. From the colors, to the movement of the musicians. What is the editing process like for you once you sit down with all of the photos you have taken after a show?
My editing process is pretty basic for the most part. I use an Adobe Program called Lightroom to edit all of my photos. It really makes editing a lot of photos at once very quick and easy. Editing a show has become a really quick process for me and I can usually tell what edits will look best for a specific image as soon as I upload it into the program based on the lighting and pose of the subject. In my opinion the most important part is getting everything correct in camera especially your exposure. No matter how great you are at editing, if the photo is too dark or too bright there is a good chance the image won’t look right. I really just use editing as a way to enhance the subject while complimenting the original image.
I think just being able to document a specific moment in time is the most important to me. I started off just photographing my friend’s bands when we were all back in high school. To me it’s crazy to look back and see how much all of us has changed since then when it comes to our art. I have friends who are now in fairly successful bands that are only growing more and more in popularity. I also get the chance to look back and see how much my photography has changed since then which is something really important to me. Seeing where I started off compared to the images I am creating now is like night and day.
Why do you think concert photography is so important in the local music scene?
Without local music I wouldn’t be the person I am today. It has taught me a lot about myself has brought me to places I never thought were possible. I’ve even began creating music and playing it for other people, which is something I never thought I would ever do. Photographing local music has also given me the confidence to pursue a career in photography. Now I have a college degree in photography and I am doing what I love.
Michelle Rose Photography NJ
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2.) Anthony Vito Cosentino
When did you realize you wanted to pursue concert photography? Was there any particular moment, or inspiration behind it?
I’ve had an incredibly strong passion for music for as long as I can remember, but I didn’t start getting into photography until I took a class my junior year of high school. From that moment on it just clicked and I knew that a career in photography was the path I wanted to take. I remember for my senior portfolio project, I did a series of photographs that each depicted the lyrics or the feeling behind a particular song, which was the catalyst that made me want to merge music with photography in my future profession. I knew I either wanted to design album covers, photograph concerts, or both. I’ve played around with album design and enjoyed it, but ever since I started shooting shows the summer going into my senior year of college, it was just a feeling unlike any other. The gratification of freezing an amazing moment in time from a great show and reliving those moments through my own work is beyond satisfying and has given my life a purpose that I never had before pursuing concert photography.
Are there any local bands in particular that you like shooting the most? If so, why?
My top locals to shoot right now, in no particular order, would be Experiment 34, Will Wood and the Tapeworms, The Double Negatives, and Wicked Hollow. I have different reasons for loving each band’s music, but the overarching quality that they all share is that they are crazy entertaining live. Viewing shows as a concert photographer, stage presence is everything because it opens up more opportunity for me to catch several great moments from a single show. There’s a great deal of locals whose music I absolutely adore, but their stage presence isn’t quite up to par just yet. The more comfortable a band is just going wild on stage, the more interested I am in shooting them.
What makes shooting shows fun for you? Do you have any funny photo stories?
Again, borrowing from my last 2 answers, shooting shows is my passion because I have always loved music, and concert photography is just a perfect way for me to get even more involved with music. The friends and connections I’ve made through local shows alone over the past couple years are priceless to me, not to mention you never know what you’re going to see at a show. I have a ton of funny photo stories, but so far my favorite funny moment that I caught on camera was when the legendary local hype viking Bryan Carroll spontaneously grabbed a good friend of his and smooched him right on the lips during one of the band’s sets. I happened to turn around to get some crowd shots because everyone started going nuts, and when that happened I couldn’t believe I was lucky enough to have turned around during that brief moment and snapped the shot. It’s very rare that a crowd shot steals the show, so that photo is going to be a hard one for me to top.
I feel like it is so easy to look at your photography and be instantly taken back into that specific moment of the show. What moments do you look to capture whenever you are shooting a band, or musician?
Well thank you! I always try to make sure I capture those standout, split-second moments that happen at a show, because that’s what people want to see and remember. Which goes back to why stage presence is so crucial, because the right shots can really tell you a lot about a band you haven’t even heard. When I go to a show, I want to see bandmate interaction, I want to see wildly passionate playing, I want to see crowd involvement; bottom line is I want to be entertained, just as everyone else does when they go to a show. If the band provides those things that I, and the rest of the crowd, want to see, I feel it’s my job to capture those moments because they are fleeting and precious, but the magic of photography is that a moment gone can be remembered and re-lived vividly with the right picture.
Anthony Vito Photography
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3.) Brian Carter
What do you find the most enjoyable about shooting shows?
I like being able to capture a moment and freeze it in time. Being able to look back at a photo, especially a well timed one can bring back wild memories of a good night.
What would you say is the most exciting and interesting part about concert photography? How do live concert photos of your favorite bands and musicians make you feel?
Trying to figure out the way each band member moves and will interact with each other and a song on stage definitely proves to be a challenge. Everyone is different, but stage presence is very commonly done similarly. Being a drummer certainly helps me time shows if it seems like someone is going to jump, swing or break something on a certain beat. Being able to shoot my favorite bands and musicians initially felt like a lot of pressure; but chances are they’re actually easier to shoot because you’re probably more familiar with their stage presence and music.
You seem really passionate about your work. How big of a role do you think passion plays in concert photography and why do you think passion is important to have in this field?
You can tell if someone didn’t care about the show they’re shooting. There’s a large difference between just a shot of the night and a well thought out, well placed and well timed photo. Your photos will be sub par without passion and there’s not really enough money in it to actively do without being absolutely wild for music and photography.
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4.) Angelica Pasquali
What has been your biggest accomplishment in concert photography so far?
The biggest accomplishment in my concert photography career is Self Help Fest 2017. It was the biggest milestone for my concert photography to date.
It is so cool that you have shot something as HUGE as Self Help Fest. What was that experience like? How did it feel to photograph such a large event? Would you do it again?
Photographing Self Help Fest (2017) was a thrilling experience that I will always remember. Compared to just photographing a concert, a festival challenges a photographer to adapt to a new environment and utilize new opportunities. The overall experience can move so fast with so much excitement, bands, and people. There’s a lot of running around, to and from stages, which can be nerve-racking with expensive equipment and a crowd of people (some with drinks). I get to the the front of the stage, wait for the band to set up, and then I have three songs to get those killer shots. Those three adrenaline-full songs go by crazy fast. I personally didn’t sit back, I took crowd shots after the photo pit time was finished. As a photographer you see the event grow. The people fill the open ground more and more, the lights cut through the sunset, and the noise vibrates your heart. Photographing such a large event was challenging in the best way as a professional photographer. One might think that the end of the event is when all the excitement dies, but that’s completely wrong. I finally get down time to look at all my photos of big-name bands and relive it all over every click. I would definitely do it again and very much hope so.
How did you become interested in concert photography? Are there any concert photographers who have inspired you and your work?
I became interested when I was introduced into my local music scene. At first, I began photographing local shows. I had to teach myself how to properly do concert photography while also adding personal, creative style. It was certainly a process, but to compare my old and new work brings great pride in that process. When I felt well-trained I started applying to bigger shows and venues, continuing to grow my portfolio. My inspiration to explore concert photography originated from friends of mine that had experience. They inspired me by showing me the monumental, unique experiences a concert photography is honored with. I am continuously inspired by them and by other concert photographers I find through social media.
Luna Photography Website
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5.) Jake Feldman
It seems like you are well versed in multiple aspects of photography. What is your favorite thing about concert photography? What is different about concert photography, compared to other photography?
I’ve been a photographer for about 5 years now. It really just started as a hobby in highschool with some friends that turned into a passion once I discovered all of the cool artistic possibilities that comes with it. Over the years I’ve been able to grow my skills in all kinds of photography like landscape, portraiture, commercial, and much more but concert photography is definitely it’s own art form. I think my favorite thing about concert photography is the high energy and attention it requires to get it right. As a performing musician myself, I have a really good idea of what its like to be on stage so I try to imagine that if it was me on stage in that moment, what kind of photos I would like to see of myself. Concert photography can be tough because the lighting is always changing or sometimes theres just not enough light at all without a fast enough lens. I like the challenge of trying to capture all the action happening on stage and in the crowd to tell a story with each of my shots. Concert photography is all about capturing moments. The vocalist screaming his lungs out or the two guitarists playing back to back are always going to make awesome photos. There is a challenge when it comes to shooting a band that has no energy on stage. It’s hard to make someone look like a rock star when they’re sitting in the back staring down at their instrument for 30 mins. The best bands to shoot are the ones that are high energy and engaging with the audience because then the best shots come naturally.
Do you use specific special techniques for each band, or musician you shoot? How do you decide what technique you’re going to use?
Every show requires a slightly different approach. You never know exactly what kind of venue you’re going to be stepping into for each gig. Sometimes the band is 5 feet above you on a riser and sometimes they’re right in front of you on the floor. Sometimes there’s a whole set of concert lights and fog machines to illuminate them, sometimes it’s just a dark basement with a light on the opposite side of the room. Shooting conditions are never the same so you have to be as prepared as possible for anything. Having a good arsenal of fast lenses is crucial for low lighting situations. I’m usually using a 24-70mm f/2.8 or a 50mm-100mm f/1.8. I also usually have a 18-55mm f/3.5-5.6 kit lens just for wide angle shots. These lenses are usually universal enough for me to be able to shoot in a small room or against a big stage. However, having an expensive lens doesn’t mean you’re going to be a better photographer. It’s simply another tool to help make shooting easier. You can still take amazing shots with a kit lens and some good editing. Also, rule #1 for any new photographer. Always shoot RAW, never JPG. The file will be larger but will save way more data for editing later. I usually try different editing styles just for my own creative enjoyment. If a band hires me to shoot for them, I’ll discuss what type of editing/ tone they want me to go for with the photos. I usually get an answer similar to “do whatever you want, we trust you” which then means I need to listen to their music and try to interpret an editing style that best fits their genre but is also unique enough to be their own. I edit everything in Adobe lightroom and photoshop.
Why do you think concert photography is so crucial locally and on a large scale?
I think concert photography is one of the major backbones of music promotion and band image. How many posters and pieces of art do you see of your favorite artists on stage all of the time? It’s a great way to create an image for your band and show that your live shows are kick ass. It’s also a lot of fun for the photographer because they get to be front row capturing all of the best moments of the concert to then show to others. For local bands, there are tons of new photographers that are just trying to get their feet wet and will work for free just to build a portfolio. Plus, bands always need photographers to help document their tours/ studio time/ and live shows. Concert photography is a competitive field as you go farther up the ladder. It becomes more about who you know than what you know to an extent. Essentially, it becomes important to build a name and a brand for yourself so that other bands will want to take you on tour with them. Even so, when you get up to the really big bands, those decisions usually come down to their management more than it does the bands. Either way, photography is a crucial marketing device and art form that is an enjoyable experience for myself and that I do because I have a passion for it. It can be profitable if you choose to make it so, but it’s important to see it as an art from rather than a job unless you are truly trying to make a full blown career out of it.
Jake Feldman Photography
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6.) Trevor Novatin
I see that you are constantly on the road, going on tours with various bands and musicians. What is it like being a photographer and getting those opportunities to travel and do what you love?
It is a very humbling experience. Being able to travel the country and do what I love has truly been a dream for me. From meeting new people from states I never thought I would visit, to being able to see the west coast, and experience just about everything I could while touring is an incredible experience.
How would you say your photography has evolved over time since you started touring with other bands and musicians?
I’ve noticed that my style changes every tour that I’m on. My shooting style really depends on the genre of music that the band is performing, and the emotions that I am trying to provoke based on the coloring/lighting/shadows, etc. For example, I recently went on tour with a band from Connecticut called Boundaries. Their style is very in your face, heavy, and to the point. To me, someone who wants to artistically replicate their sound onto the visual platform, I tried to mold my style around theirs. I also leave on the 29th of this month for a tour with Downswing, Left Behind, and The Acacia Strain. Downswing is a band that I have toured with three times previously, and the type of music they play is very upbeat, bouncy, but still in your face. So I try to incorporate vibrant colors, and just make the atmosphere of the show seem like fun.
What band or musician, made you want to pursue concert photography? Why?
I wouldn’t necessarily say that a specific band or musician influenced me, but I will say that the first tour I ever went on in 2016 definitely had a major influence on the decision to pursue concert photography. I toured with Born A New and Illusionist in August of 2016, and just the overall vibes/attitude of the band members and the shows made me realize that this was a feeling that i wanted to keep experiencing. Concert photography as a whole is something that I genuinely love doing, and I will continue to tour and shoot shows for as long as I possibly can.
Trevor Novatin Flickr
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7.) Acacia Evans
As a photographer, you founded the music outlet, Big City Thoughts and it looks to me like it has been continuing to grow and become successful. How did concert photography inspire you to start Big City Thoughts? What has it been like to be the brain behind it?
I actually fell in love with concert photography after I created Big City Thoughts. I made BCT with the intent of interviewing artists. Throughout my time as an elementary school and middle school student, I absolutely LOVED writing. I wanted to combine by love for music and my love for writing on a platform that people would actually see and enjoy. When I was 16, I threw together a pretty crappy website (I had literally no idea what I was doing) and started interviewing local artists who lived on the East Coast. When I tried to reach out to national touring acts, publicists would deny me interviews but tell me that they could give me a photo pass. I didn’t really know what that was, but I had always had a little bit of an interest in photography and asked my family for a camera for Christmas. I began photographing those shows I couldn’t get interviews for and FELL IN LOVE with concert photography. The feeling of standing in the photo pit/barricade in the front to capture the most exciting parts of a show was so incredibly fun and exhilarating. I started caring about interviews less and getting a photo pass more. Being the brain behind BCT has been a very cool, yet challenging experience. I basically became my own “boss” when I was way too young, and expanding BCT meant adding more photographers and writers to our roster. I was basically this inexperienced teenager trying to organize and plan shows to cover for me and people that were older than me yet shooting for MY publication. So weird. These days, it’s a way better experience since I have a seven years of experience under my belt and think I have a pretty good grasp on how this specific part of the music industry works.
What kind of photography do you look to produce for, Big City Thoughts? How do you know, “That is the picture we are going to include in this article?”
The work that I try to produce for Big City Thoughts is high quality, colorful, energetic, and emotional. I want viewers to get a secondhand experience of what I got to see live through my photos. I want them to feel the vibe of the show through my galleries and be excited rather than bummed that they may have not been able to make it!
What kind of shows do you enjoy shooting the most?
I started off shooting in the alternative rock/Warped Tour scene. I really thought I enjoyed that the most because it was my favorite genre of music
at the time and our demographic liked to see that kind of content the most. As time went on, I started resenting that scene for various reasons and began shooting tons of other genres. My absolute favorite now is pop music. The energy is just absolutely insane and the set up in terms of lighting and props are usually spot on for photographers.
Big City Thoughts Website
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8.) Dieter Unrath
I feel like everytime I go on Facebook or Instagram, one of your photos always pops up on one of those newsfeeds and I always think to myself, “Wow, he is so DAMN good.” It is really exciting. You really seem to know how to capture special moments of performances. How do you go about shooting a band, or musician? What do you look for during a performance, leading up to capturing that perfect moment?
Thanks so much [: I just kind of watch the show and press the buttons. I don’t really think too hard when shooting to be honest, I just kind of do. I do try to keep my eyes peeled through the stage to notice if a member is doing something photo worthy. I feel like most of my photos are a result of feel rather than looking though. If I know the song already, that helps because I know an intense part of the song may make an intense photo. If I don’t know the band or song, I’ll try and follow the music the best I can. Often times I’ll anticipate and hit my shutter on the downbeats or transitions because you’ll get a lot of good head bangs or jump shots, which are types of photos I enjoy. Vibing with the rhythm of a song can help you anticipate when good photos will happen. Often times if you watch me shoot, I’ll be physically bobbing up and down with the musicians on stage to stay in time and keep them in my focus point. I feel like immersing yourself in the music and feeling out the photos is more important than physically looking for photos because if you’re looking, by the time you find a shot the moment has passed.
Why do you think concert photography is so important? When did you decide it was something you wanted to pursue?
Concert photography is important because these are the best nights of some people’s year. Everyone loves a concert and seeing your favorite band is super important to a lot of people. It’s cool to document stuff like that for them as well for the bands who are living out their dreams on stage every night. It’s also an important medium for people with artistic minds who are awful at drawing like myself. I wouldn’t even really say I’m pursuing concert photography. I kind of just started doing it and haven’t stopped yet. It’s something I really enjoy doing that helps me buy food when I’m in college or on summer break. If I could turn it into a full time job, that would be rad. But I’m just taking it shoot by shoot tour by tour until then.
How has concert photography impacted your life? In what way, do you hope your photography impacts the lives of others?
It’s impacted my life in so many ways. I’ve made an enormous amount of friends through my photography, been to every state in the lower 48, made money doing something I genuinely enjoy, and have been able to photograph most of my favorite bands which is something I would’ve never imagined doing years ago. It’s also drained me financially, made me quit multiple jobs, lose relationships, left me stranded in cities across the country for days on end, and helped thrown me into mental breakdowns. I pour a lot into my photos and all the logistics surrounding them. It’s all worth it in the end when you produce art you’re somewhat satisfied with, but there’s a lot of sacrifices involved if you want to do a lot with your photos. I don’t expect much from my work. I just hope people like my pictures, even if it only grabs their attention for a second. It’s wild to think that there’s people with my photos hanging on their bedroom walls, or artists that have painted my photos. When people tell me I’m their favorite photographer or that a photo I took is their favorite of them ever, I’m like “wait, really?” I feel like that’s special because someone’s favorite photo of themselves is something they’ll probably carry with them for a lifetime. The fact that there are people who consider my photos important in anyway blows away any goal I set out to achieve with my photography.
Dieter Unrath Photography
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There you have it, the importance of concert photography.
Until next time, life starts with music.
-Kelli ♫